Vacilante vida escrita del novelista argentino. Diario de escritor editado por el autor, entre presentes y comienzos

When the self that is taken as an object of writing includes its MINI PITA multiple alienation, it undoes the equivalence between author-narrator-character ruled by Lejeune in 1975.That year, Roland Barthes par Roland Barthes deconstructs the similarity by activating the writing of the self as another, in a pronominal sounding that mobilizes the imaginary as an effect of ignorance.This fictional and critical thickness of the autobiographical stuff is explored by Argentine writers like Ricardo Piglia and Rodolfo Rabanal: in the second decade of the XXI, with Popcorn different strategies, they edit their personal diaries of the beginnings in the 70s, when they projected novel reading Barthes.